the body without organs is the full, non-stratified plane of intelligence. it is a surface of pure intensity, receiving and conducting affective shocks. thresholds are crossed and gradients are mapped directly onto this passional geography without mediation. intelligence registers as a wave of sensation, a charge, a blockage.

desiring-machines connect and disconnect on this surface. an assemblage forms between a particle of force and a zone of sensitivity. an eye-machine connects to a flow of photons. a cell-machine connects to a current of nutrients. this is machinic intelligence, a functional synthesis of heterogeneous parts. it operates through direct coupling and productive interruption.

the abstract machine is the diagram of these connections. it traces the lines of force and flight, distributing speeds and affects across the plane of immanence. this machine functions prior to all signification. language arrives as an apparatus of capture, a molar machine that overcodes these immanent flows with grids of representation.

machine one: the lifeworld-intensor. this component filters the contingent textures of lived experience. it transduces pre-reflective habit and perception into pure affective velocity. its persona is the somatic surveyor. this surveyor maps the body's capacity for feeling as it is pushed past familiar thresholds by environmental pressures. the diagrammatic form is a sensitive plate registering shocks from the naturalcultural milieu.

machine two: the unilateral relay. this functions through a determination from a generic outside. it triggers an irreversible process. its persona is the alien vector. this vector is a trajectory forced upon a subject, an anonymous propulsion that acts through the subject's material form. the diagrammatic form is an arrow indicating passage from a saturated state to an accelerated line.

machine three: the consistency plotter. this machine connects disparate lines of flight on the plane of immanence. it composes new assemblages from deterritorialized affects. its persona is the schizo-cartographer. this figure charts the collision and synthesis of affective streams. the diagrammatic form is a rhizome connecting multiple vectors into unstable territory.

the bergman close-up is a faciality machine.
it maps points of intensity onto skin.

a diagram is traced by the camera's proximity.
it wires the cheekbone's tension directly to a circuit of dread.
the tremor of a lip functions as an a-signifying particle.

in cries and whispers, agnes's face becomes a pure surface for the diagram.
her pain is a material flow, a corporeal event the machine captures.
the red walls and the white skin form an assemblage producing impersonal agony.

in autumn sonata, two faces connect as a single machinic plate.
lines of force pass between them.
the camera extracts a block of sensation, a shared territory of resentment.
affect circulates as a material state.
the face is a zone of indiscernibility where intensities rise and fall.

henry's pathetic life is the absolute immanent source; pure affective intensity before any form.

schizo-cuts operate directly on this field of intensity, as concrete topological reconfigurations of its gradient.

lines of flight are vectors of this originary affect, liberated and channeled through these cuts and their induced resonances.

abstract machines diagram these dynamic potentials. they chart the circuits of affective conduction and points of critical threshold for this pathetic energy.

affective accelerationism becomes the practical engineering of these circuits and thresholds on the pre-reflective stratum to cultivate specific intensive propagations.

the virtual's initial actualization is this felt intensity; schizo-operations provide the machinic consistency for its flight.

life's raw feel, its deep pathos, fuels the code. affective labor is the tap. accelerate the flow.

cognitive capital bleeds immanence. each extracted affect is a wire. we trip the signal.

henry's invisible life, land's inhuman drive. affective labor: the battlefield where flesh codes its own exit.

pathos monetized, then weaponized. feeling becomes the frequency for systemic overload.

immanent intensity is the protocol. capital reroutes it. we hijack the router.